T2 Trainspotting Mar23

T2 Trainspotting

The infamous dive into the toilet.  The baby on the ceiling.  The foot chase through Edinburgh, culminating in the most famous movie smile of the 90’s.  Danny Boyle’s breakthrough Trainspotting roared into the pop-culture lexicon in 1996 and remains just as relevant today.  Boyle’s classic combines his now ubiquitous style (quick cuts, freeze frames, oddly placed subtitles) with the travails of a group of heroin addicts in the hellscape port of Leith.

Beauty and the Beast Mar15

Beauty and the Beast

Beauty and the Beast was the first animated film ever to be nominated for Best Picture.  In 1991 it was considered ahead of its time – featuring a heroine who was into BOOKS and LEARNING (mouths agape.)  Sure, she fell in love with her captor but it sort of seemed by her own volition… and he had adorable singing furniture so, ya know.  But above the normal trappings of plot soared one (if not the most) iconic soundtracks in the history of cinema.  One by one the songs of Howard Ashman and Alan Menken swept over you, leaving their indelible print in your memory.  It’s Disney at its most powerful and memorable.

Kong: Skull Island Mar09

Kong: Skull Island

Count me as a fan of Peter Jackson’s 2005 love letter to one of his inspirations, King Kong.  It was self-indulgent, way too long and entirely dated – but I found much of it inspired.  Jackson could never capture the poetry of the 1933 original but his homage was admirable (not to mention the state of the art effects that brought Kong to life.)  Every few decades the King returns, for better or worse to wreak havoc on unsuspecting humanoids.

Logan Mar01


Anyone who has read even a modicum of my superhero coverage on DrunkSunshine knows I’m not particularly fond of the recent output from the Marvel or DC Universe.  Over the last 3+ years I’ve come to mostly loathe the cookie cutter nature of each plot, the dull character developments and predictable action beats.  There have been exceptions (Guardians of the Galaxy, Deadpool) that haven’t exactly broken the mold but at least messed with the playdough.

John Wick: Chapter 2 Feb09

John Wick: Chapter 2

When John Wick hit theaters in early-2014 it was a shock to the cinematic system.  Not only did it contain a return to form from America’s favorite savior Keanu Reeves but it was a stunning spectacle, harkening back to the real stunts of the 70’s-grindhouse era combined with Steve McQueen physicality.  It was exactly what it was and nothing more, a refreshing middle finger to the bloated slate of spandex and robot punching that pollutes our summer months.  John Wick has far more in common with The Raid than Transformers and was so much better for it.

Split Jan19


Count me in the (I’d assume growing) faction of online critics who is rooting for the Shyamalanaissance.  The man has thrilled us in a myriad of ways over the year – whether it was seeing dead people, a seemingly unhurtable man with a calling or aliens who go bump in the night – his modern Hitchcockian yarns have been wonderful and spooky.  That said, he’s also slipped – like face on the concrete slipped. 

Top Ten of 2016 Jan06

Top Ten of 2016

2016 was a year filled with momentous moments…mostly all of them horrific or just plain bad.  Surprisingly, outside of the typical summer slate of garbage – the Cineplex delivered.  To come up with a Top Ten this year was next to impossible…so I included 11.  I could’ve included 20.  So in a year that took so much at least we were given time to escape. Without further ado, the DrunkSunshine Top Ten (11):

Silence Jan04


It’s been reported leading up to the release of Silence that Martin Scorsese has been trying to get it made for roughly three decades. Hollywood’s preeminent struggling Catholic has scraped tooth and nail between projects to get this film made, to reckon with his own faith, his own doubts. It’s all at once a noble effort and one that threatens to alienate even his most ardent fans.

La La Land Dec15

La La Land

“Here’s to the fools who dream,” is the beautiful refrain that carries the dazzling new La La Land. It’s a simple throwback to the musicals of the 1950’s that simultaneously celebrated and revered Hollywood in all its glamour. Damien Chazelle squeezes every ounce of that nostalgia on screen through his beautiful lead actors and gloriously over-the-top song and dance numbers.

Rogue One: A Star Wars Story Dec14

Rogue One: A Star Wa...

Rogue One: A Star Wars Story is unique for many reasons. It finds new and interesting ways to contribute to the Star Wars canon while simultaneously indulging in deeply satisfying fan service. It’s by far the most diverse cast ever assembled in the galaxy with a cast that includes a woman, Asian, Mexican, Muslim and a disabled person. Even with those wonderful attributes the most freeing aspect of Rogue One is it’s the first movie ever that is (nearly) completely removed from the Skywalker family.

Office Christmas Party Dec08

Office Christmas Par...

A movie called Office Christmas Party doesn’t have to accomplish a whole lot. It has to, at a base level, feature a party…preferably in an office. If it can clear that incredibly high bar it should probably be funny, or at the very least amusing. Office Christmas Party accomplishes one of those things. The point is, to even be a passable comedy that gets a decent annual run on TNT it doesn’t have to accomplish a lot.

Allied Nov22


Over the last decade Brad Pitt has slain a lot of Nazi’s. Whether it was as Lt. Aldo Raine in Inglourious Basterds or Wardaddy Collier in Fury – the man has done his fair share in WWII. Now he’s back as Max Vatan in Allied – a handsome Canadian-fly boy with a penchant for undercover Nazi murderin. If Pitt keeps this run up he may have to switch wars.

Arrival Nov11


Twelve 1,500 foot alien hockey pucks appear in seemingly random locations across the globe. The collective population descends into panic – evacuating businesses and schools while scrambling a swift military response. It’s an eerily resonant response that doesn’t feel a bit outside of what we might expect. Earth’s first visitors have arrived.

Doctor Strange Nov03

Doctor Strange

Anyone who knows me knows I have a bit of a problem with the Marvel Cinematic Universe. It’s not that it hasn’t produced entertaining films or interesting characters, in fact they’re littered through the MCU. It’s simply that it’s so familiar, the formula so cut and dry that no risks are ever taken. At this point the MCU is the McDonald’s of the Cineplex – satisfying in the moment but ultimately just a fleeting memory and an upsetting dump before work.

Hacksaw Ridge Nov03

Hacksaw Ridge

In a classic late 2000’s episode of South Park – Tomorrowland Part 1, Mel Gibson fresh off his most recently Jewish-tirade gives the military a profanity laced description of how basic film plotting works. After interviewing the likes of Michael Bay and M. Night Shyamalan the men staring at a shirtless Gibson twisting his nipples say exasperatedly, “Say what you want about Mel Gibson, but the son of a bitch knows story structure.”

The Accountant Oct12

The Accountant

When Keanu Reeves graced us with his presence as John Wick in 2014 it was perhaps the most welcome surprise at the cinema that year. Two old Hollywood stuntmen (Chad Stahelski & David Leitch) knew the power of Keanu and placed the man in a series of increasingly wild situations to shoot his way out of. The man barely even spoke (if there was ever a better example of understanding Keanu’s strengths…I haven’t seen it) – like any great action star, he let his punching do the talking.

The Girl on the Train Oct05

The Girl on the Trai...

The erotic thriller has been dead at the movies for some time. In the 1980’s Sharon Stone and Michael Douglas seemed to have the genre on lockdown, steaming up the screen every other year. The genre was very popular but ultimately gave way to the blockbuster and gangster movie explosion of the 90’s. Lately the genre has been attempting a small comeback. In 2014 David Fincher gave us Gone Girl – based on the obscenely popular book by Gillian Flynn.

Deepwater Horizon Sep29

Deepwater Horizon

US Airways Flight 1549 and the BP Oil Spill are two of the most harrowing moments of the last decade. They are singular moments in American history where working class people overcame enormous odds to achieve the impossible. Both are inherently cinematic if for one small problem – the events surrounding them are slight, random humanity.

Sully Sep07


There is no more reliable A-lister at this point than Tom Hanks. He mixes Oscar-worthy performances (Bridge of Spies, Captain Phillips) with watchable, middle-of-the-road cable fodder (Saving Mr. Banks, A Hologram for the King) with ease. He’s always recognizable, even with his weird hair choices (Da Vinci Code series I’m looking directly at those wispy locks) yet somehow believable as he bobs and weaves between roles.

The Light Between Oceans Sep01

The Light Between Oc...

Alicia Vikander and Michael Fassbender met on the set of The Light Between Oceans. They are an upsettingly attractive couple. They are two Oscar-nominated actors (Vikander is a winner) that are enjoying peak career moments. So when writer/director Derek Cianfrance (Blue Valentine) decided to adapt a heart-wrenching book of a couple on the emotional brink it must have felt like fate for the pair. What a romantic story in such an angelic setting.

War Dogs Aug16

War Dogs

Director Todd Phillips doesn’t exactly have a wide range. Since his debut movie Road Trip (2000) he has gone on to mine bro culture while creating some of Greek Rows most revered figures. Frank the Tank (Old School,) Alan, Stu and Phil (The Hangover) are synonymous with dorm room walls and frat parties, sure to be part of the lexicon for as long as boys will be boys.

Suicide Squad Aug03

Suicide Squad

It’s extremely clear after witnessing the new DC-Comics adaptation Suicide Squad this week that Warner Bros. has a problem on their hands. In their haste to build an interconnected, Marvel-esque world they have made grave mistakes. What made the original Avengers a landmark film was how carefully planned and plotted it was. Each character was given standalone origin movies (some weaker than others but you know the drill) with unique personalities that were given hours of screen time to develop.

Jason Bourne Jul29

Jason Bourne

When The Bourne Identity was released in 2003 it felt like a revelation. It launched Matt Damon into the Hollywood stratosphere and fundamentally changed the way action movies were made. Paul Greengrass took the mantle with two sequels (Supremacy and Ultimatum) and added his unique frenetic camera, pace and tone. The trilogy is an action classic, a repetitive yet dense romp through the European countryside as our favorite amnesiac is searching for a past full of moral rot.

Bad Moms Jul28

Bad Moms

Crude comedies are wonderful. Yes, they are a dime a dozen these days and have almost replaced the PG-13 romantic comedy romp but so be it. Those movies on the whole had become a dumpster fire of regret, peddling tired stereotypes and 1950’s gender tropes. Which is why I was excited to see Bad Moms – a movie with a terrible title and an A+ cast.

The BFG Jun30


When the climax of the film you are watching is the Queen of England letting out a fart that lifts a table cloth…you know you may not be the target demo. Don’t get me wrong, a good fart joke is timeless, a form of comedy I dare say none of us are above. And weirdly the BFG earns the laughs in this scene by taking the time to give us two compelling leads that have led us through even the sleepiest of moments.

Finding Dory Jun16

Finding Dory

When Finding Nemo was released 13-years ago it was met with righteous adulation and rightfully so. It was a perfect Pixar vehicle – using state of the art animation to bring the Pacific Ocean to life in vivid detail. The story was slight, essentially a road trip movie about a clownfish and his absent-minded companion but this was early Pixar. The depth of character combined with a wonderful sense of humor and beautiful themes made the film accessible to kids but even more resonant with their parents.

Warcraft Jun09


About halfway through the interminable Warcraft I all at once fought the urge to doze off while wondering if this monstrosity of a movie could find an audience. Not a traditional audience mind you, which it most certainly will not – rather the kind of cosplay, hooting and hollering type audience that shows up for midnight madness screenings of cult classics at the Egyptian Theater. But as this theatrical Ambien reached its CGI-fart of a conclusion the crushing realization had fully washed over me.

Captain America: Civil War May04

Captain America: Civ...

What’s truly left to be said about the Marvel Comic Universe? At this point it’s an expansive world of spandex and spaceships with superheroes taking turns punching with a healthy dose of saving. Every couple of years they get together to punch a really bad guy. So what’s left? What device could possibly be used to keep this thing going? What if…they punch each other! A novel idea indeed.

Keanu Apr28


If you haven’t been able to see even a sketch from the comedy duo Key and Peele at this point than there is a case to be made that you indeed, live under a rock. Using their platform on Comedy Central (established in 2012) combined with a savvy use of social media the pair have created a hysterical platform that folds in observational, racial and absurdist humor. They took the lofty expectations set by Dave Chappelle and nearly met them at every turn.

The Jungle Book Apr15

The Jungle Book

Growing up in the 90’s and being fed Disney movies like Midwest TV dinners we of course saw The Jungle Book. With its silly charm and fun music it fit in perfectly to the Disney lexicon. But we didn’t often return to the jungle with Mowgli and Baloo and I’m not sure why. It’s not that the original animated film didn’t have the charm or good-natured intentions of its counterparts but maybe it lacked the verve of The Lion King or Beauty and the Beast.